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On his birthday, Grandpa Teichmann suddenly flies off with a motorized kite.

Old Otto Gratzick is a porter at DEFA and a great admirer of Asta Nielsen. When the famous actor Hermann Gschwindner dies shortly before the end of his film, the director is looking for a double for the final scenes and discovers Otto in the movie theater, who has just been moved by Asta again. Otto takes on the task. He also places a marriage advertisement looking for a woman who resembles Asta. The first date with Astrid, who does indeed look like Asta, is a flop. Otto falls asleep. He tries again with her - as Hermann Gschwindner - and is successful. He is recognized in a hotel bar and asked to perform a song. Everyone, including Astrid, is entranced. After a few complications, his real identity is revealed - Astrid had also done a lot of work to look like Asta.

Konnie, a respected musician in the right-wing scene, loses her reputation when she incorporates feminist and queer content into her music. In order to rehabilitate herself, she uses the outsider punk Rudi, who wants to attack a Nazi pub. But both end up fighting a battle for belonging - who will be left standing?

Adina lives in Germany with her father and little brother after fleeing Afghanistan. War trauma and uncertainty about her mother's fate are constant companions in the family. Adina's need to dance her worries away is countered by her father's strict rules.

A movie based on the book by Christine Nöstlinger “Maikäfer, flieg! Mein Vater, das Kriegsende, Cohn und ich”

暂无英文版的简介，请添加内容帮助我们完善数据库。