暂无英文版的简介，请添加内容帮助我们完善数据库。

On his birthday, Grandpa Teichmann suddenly flies off with a motorized kite.

Konnie, a respected musician in the right-wing scene, loses her reputation when she incorporates feminist and queer content into her music. In order to rehabilitate herself, she uses the outsider punk Rudi, who wants to attack a Nazi pub. But both end up fighting a battle for belonging - who will be left standing?

Adina lives in Germany with her father and little brother after fleeing Afghanistan. War trauma and uncertainty about her mother's fate are constant companions in the family. Adina's need to dance her worries away is countered by her father's strict rules.

Old Otto Gratzick is a porter at DEFA and a great admirer of Asta Nielsen. When the famous actor Hermann Gschwindner dies shortly before the end of his film, the director is looking for a double for the final scenes and discovers Otto in the movie theater, who has just been moved by Asta again. Otto takes on the task. He also places a marriage advertisement looking for a woman who resembles Asta. The first date with Astrid, who does indeed look like Asta, is a flop. Otto falls asleep. He tries again with her - as Hermann Gschwindner - and is successful. He is recognized in a hotel bar and asked to perform a song. Everyone, including Astrid, is entranced. After a few complications, his real identity is revealed - Astrid had also done a lot of work to look like Asta.

A movie based on the book by Christine Nöstlinger “Maikäfer, flieg! Mein Vater, das Kriegsende, Cohn und ich”

暂无英文版的简介，请添加内容帮助我们完善数据库。

The television film based on the novel of the same name by Ladislav Mňaček draws on the period of World War II and the Slovak National Uprising. The film's story is composed of two intertwining time lines. In the images of the present that frame the entire narrative, the young partisan Voloďa - a hero with autobiographical features - recovers from a serious injury. In feverish reminiscences and in conversations with his nurse Eliška, he recapitulates the eventful events of his time in the partisan group in the village of Ploština, which the partisans abandoned under the pressure of events and left to the mercy of the German commando. Voloďa is haunted by visions of the burning Ploština, remorse and responsibility for the tragedy. In feverish reminiscences, he relives the meetings of the partisan detachment with the German commando. Memories of the mysterious Jewish girl Marta, a partisan liaison with whom Pavol had a passionate love affair, also return to him.

Gustl has married the beautiful Helene. They have a harmonious marriage, the love games are daring, and the Kamasutra is always lying next to the bed. But Gustl still has one wish: to celebrate a real orgy. He suspects that his younger colleagues are always having wild parties. He wants to be one of them, but is never invited to such parties. So he persuades his wife to organize an orgy herself. After much toing and froing, Helene agrees. The two of them put an ad in the newspaper. Like-minded people come forward, Gustl and Helene sort out "suitable" people and get the party underway. When the horde of libido-ready middle-class people arrives at the mattress-lined apartment, there is no sign of Gustl...